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Posted by / 06-Dec-2017 04:40

He argues that the photographic documentation of ruin This, he argues, has since proliferated into “an abundant photographic record of urban decay and ruin in the wake of the deindustrialisation of North American ‘Rust Belt’ cities”.

These ruins, he notes, are self-inflicted, rather than the result of warfare and international conflict, as with 9/11.

The fascination with Detroit’s urban decay is the direct result of economic failure, specifically the downturn of the motor industry in the 1970s.

It was built by Andrew Greenland, a Brit whose work we’ve featured before. Few words come with as many pre-loaded connotations and assumptions – the promise of titillation, the thrill of taboo, the inherent air of seediness. The ruins of Chernobyl, the Holocaust, Detroit’s urban decay, and even abandoned amusement parks have become havens for “ruin photographers”. The term has cropped up with increasing regularity in the last few years.(Which is obviously a great idea because – and I have so much to say on the topic!) ;) This said friend has been to Iceland a couple of times (as well as pretty much everywhere else in the world) and he was amused when he was there with myself and my Icelandic female friend and we had a conversation, in English so that he could understand, detailing our sex-lives.

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